张宗彪：1941年8月出生于陕西永寿县。毕业于西北大学、供职于咸阳师范学院（退休）书法教授、国家一级书法家、书画院院长。 现任：陕西省文史研究館研究员 陕西书画艺术研究院名誉院长咸阳分院院长。
中国爱国工程艺术研究院终身书法主席
中国国学学会杂志社副理事长
中国艺术促进会顾问
中国诗书画联盟网终身名誉主席
中国书画名家研究会名誉主席等职。
荣获：新中国国礼艺术大师
走向世界之著名书法家
中华文化大使
中国传统美术大师
全国杰出文艺家终身成就奖
《聚焦东方》两岸三地一家親"形象大使"
当代书画界新一代领军人物
陕西旅游书画形象大使
全球华人最具影响力艺术家等荣誉称号及证书。
Zhang Zongbiao: Born in Yongshou County, Shaanxi Province in August 1941. Graduated from Northwest University, served as a professor of calligraphy in Xianyang Normal University (retired), a national first-class calligrapher and President of the Academy of Calligraphy and Painting. Present post: Researcher of Shaanxi Museum of Culture and History, Honorary Dean of Shaanxi Academy of Calligraphy and Painting, Xianyang Branch.
Lifetime Chairman of Chinese Patriotic Engineering and Art Research Institute
Vice-Chairman of the Journal of the Chinese Academy of Sciences
Consultant of China Association for the Promotion of Art
Honorary Chairman of China Poetry, Calligraphy and Painting Alliance Network
Honorary Chairman of the Chinese Society of Calligraphy and Painting Masters.
Winning: Master of Rite Art in New China
Famous Calligraphers Towards the World
Ambassador of Chinese Culture
Master of Chinese Traditional Art
National Lifelong Achievement Award for Outstanding Literature and Art Artists
Focusing on the Orient: A Family Image Ambassador from Three Places across the Straits
New Generation Leaders in Contemporary Calligraphy and Painting
Shaanxi Tourism Calligraphy and Painting Image Ambassador
Honorary titles and certificates of the most influential Chinese artists in the world.
张先生自幼喜爱书画，坚持69年临池不辍。楷、行、草、隶、篆皆能，尤以行草见长。鎔古铸今，自成一体。其书法作品大气磅礴、气势恢宏、刚柔相济，颜筋柳骨、铁划银钩，风格独特，行草书富有浓厚的篆、隶、魏的笔意和风骨，称之为“魏草”。其代表作“无欲则刚、厚德载物、北国风光……”等30幅代表作获《中华人民共和国国家版权局著作权登记证书》。
《中国近现代名家书法集一一张宗彪》即中国近现代第一部书法卷“大红袍”于2014年8月由《天津人民美术出版社》出版，并于2015年6月19日在北京人民大会堂新闻发布主厅举办了浓重的新闻发布及研讨会。
Mr. Zhang loved painting and calligraphy since childhood, and insisted that Linchi never stop for 69 years. Kai, Xing, Cao, Li and Seal Seals are all good, especially Xing Cao. Ancient and modern Hao is a self-contained entity. His calligraphy works are magnificent, magnificent, rigid and soft, with unique style and strong seal, Li and Wei's brushwork and style. They are called "Wei Cao". His representative works are "No desire, no righteousness, noble virtue, the scenery of the North Country..." Thirty representative works were awarded the Copyright Registration Certificate of the State Copyright Administration of the People's Republic of China.
In August 2014, the first volume of Chinese modern calligraphy, "Dahongpao" was published by Tianjin People's Fine Arts Publishing House, and on June 19, 2015, a strong press release and seminar was held in the main press release Hall of the Great Hall of the People in Beijing.
张宗彪应邀先后同沈鹏、欧阳中石、张海、李铎、范曾、刘大为、苏士澍、权希军等20多位名家分别出版了二人集、三人集、四人集。同时得了他们的高度评价！
近年来張宗彪被特邀入编出版了：《中华五大名家》、当代最具影响力的艺术名家《百年巨匠》、《新中书画八大家》、《人民艺术家》、当代艺术名名《风华绝代》等120多部重量级书画专集。其中38部特邀张宗彪题写书名。其中29部书画专集特邀张宗彪作封面人物并题书名。在当代书画界富有胜名！
张宗彪被评为“中国当代最具收藏潜力的实力派书法家”。
张宗彪被特聘为：”走向世界2017中国书画艺术国际交流大会副主席"。
Zhang Zongbiao was invited to publish two anthologies, three anthologies and four anthologies with more than 20 famous scholars such as Shen Peng, Ouyang Zhongshi, Zhang Hai, Li Duo, Fan Zeng, Liu Dawei, Su Shishu and Quan Xijun. At the same time, they got high praise!
In recent years, Zhang Zongbiao has been invited to compile and publish more than 120 heavyweight monographs of calligraphy and painting, such as "Five Famous Chinese Artists", the most influential contemporary artist "One Hundred Years Master", "Eight Masters of Calligraphy and Painting in Xinzhong", "People's Artists", and the famous contemporary artist "The Extreme Age of Fenghua". Among them, 38 were invited to inscribe the title of the book by Zhang Zongbiao. Among them, 29 monographs of calligraphy and painting were specially invited by Zhang Zongbiao as cover characters and titles. In the contemporary world of painting and calligraphy is famous!
Zhang Zongbiao was named "the strongest calligrapher with the greatest collection potential in contemporary China".
Zhang Zongbiao was appointed as Vice-President of the International Conference on Chinese Calligraphy and Painting to the World in 2017.
大家名家赏析张宗彪书艺
（一）中国书协名誉主席沈鹏赏评：
书家张宗彪在用笔上充分利用毛笔的圆劲和弹性，善于用墨，显示出或润或燥、亦刚亦柔、顺其天成的效果，在继承古代书家的基础上融入了自己的手法，充分体现了他的独特的审美观点。作品 兼有王羲之书法的韵致，米南宫书法的笔意。雍容大气，古朴、隽永，气势磅礴。意蕴悠长。所作打开大合而不失肃穆儒雅、潇洒飘逸而不失浑厚稳重，痛快淋漓而不失规矩法度，其风格大胆创新，独具一格，气韵贯通：整体来看，师古不泥，端庄沉稳，点画劲挺，和谐呼应，浑然一体，妙趣无穷，美不胜收。具有非常耐人寻味的艺术效果，这不是仅有的笔墨功夫就可以达到的，望再接再厉发扬勇于创新的精神，为世人留下更精湛的作品。（2014年9月于北京）
注：2011年7月由《中国文联出版社》出版了沈鹏与张宗彪《大师之路》二人行作品集。
Appreciation of Zhang Zongbiao's Calligraphy by Famous Artists
(1) Shen Peng, Honorary Chairman of the Chinese Book Association, appreciates:
Zhang Zongbiao, a calligrapher, makes full use of the roundness and elasticity of his brush and is good at using ink to show his natural effect of moistening or drying, rigidity and softness. On the basis of inheriting the ancient calligraphers, he integrates his own techniques, which fully reflects his unique aesthetic views. The work has both the charm of Wang Xizhi's calligraphy and the pen meaning of Minan Palace's calligraphy. Graceful atmosphere, simple, meaningful, magnificent momentum. The implication is long. The style is bold and innovative, unique, and full of charm: as a whole, the teacher is not muddy, dignified and steady, the dot painting is vigorous, harmonious and responsive, integrated, interesting and beautiful. With a very interesting artistic effect, this is not the only brush and ink skills can be achieved, hope to continue to carry forward the spirit of innovation, for the world to leave more exquisite works. (Beijing, September 2014)
Note: In July 2011, Shen Peng and Zhang Zongbiao's The Road to the Master were published by the Chinese Federation Press.
（二）中国书协名誉主席张海赏析：
运笔自然、师古不泥、书法大气磅礴、笔势飞扬流动、且书风具有昌达俊逸的笔韵、线条厚实饱满、笔墨变化多姿、潇洒飘逸，既有浑厚苍劲的气劲，又有温柔秀雅的情韵，堪称极品之作。（2013年3月18日于北京）
注：张海同张宗彪2013年3月由《中国文献出版社》出版了《中国艺术大家》二人集。且由张宗彪题写了书名。
(2) Appreciation of Zhang Hai, Honorary Chairman of the Chinese Book Association:
Natural brushwork, no mud from ancient times, magnificent calligraphy, flowing style, and the style of calligraphy with Changda Junyi rhyme, thick and full lines, varied ink, elegant, both vigorous vigor, and gentle and elegant flavor, can be regarded as the best work. (Beijing, 18 March 2013)
Note: In March 2013, Zhang Haitong and Zhang Zongbiao published the two anthologies of The Great Masters of Chinese Art by the Chinese Literature Publishing House. And the title of the book was inscribed by Zhang Zongbiao.
（三）书画大家范曾教授赏析：
张先生其书法笔凝练精到，章法规整有序；线条丰润饱满且刚柔相济，富有很强的韵律感；点划递相辉映、顿挫有致，回锋转笔奔放自如，韵态之中蕴含着极为流畅的美感。无论是运笔走势的布控还是思维意识的整合，都显示了其娴熟的艺术功力。
作品充满着浑厚的文化底蕴，从中可看出作者厚积薄发的文化修养；作品风貌，有生动飘逸而又舒展效果；结体稳健端庄、笔墨流畅自然；浑厚而不臃肿，疏朗而不干瘪，疏朗、大小、浓淡互相穿插、给人一种美的享受、愉悦的感觉。（2014年12月9日晚于北京）
注：范曾与张宗彪2014年12由《文化艺术出版社》月出版了《艺术中国》二人集，且张宗彪题写了书名。2016年5月《陕西人民美术出版社》出版了《国艺大师》范曾与张宗彪二人集。且由张宗彪题写了书名。
(3) Appreciation by Professor Fan Zeng, a master of painting and calligraphy:
Mr. Zhang's calligraphy is concise and sophisticated, and the rules and regulations are orderly; the lines are plump and flexible, with a strong sense of rhythm; the strokes are brilliant and frustrating, the strokes are bold and free, and the rhythm contains a very smooth aesthetic feeling. Whether it is the layout control of the trend of writing or the integration of thinking consciousness, it shows its skilled artistic skills.
The works are full of rich cultural connotations, from which we can see the author's cultural accomplishment of thick accumulation and thin hair; the style and features of the works are vivid, elegant and stretching; the body is stable and dignified, the ink is smooth and natural; thick and not bloated, clear and not dry, sparse, large and weak interpenetrating each other, giving people a beautiful feeling of enjoyment and pleasure. (Later than Beijing on 9 December 2014)
Note: Fan Zeng and Zhang Zongbiao published their two collections of Art China in December 2014 by the Culture and Art Publishing House, and Zhang Zongbiao wrote the title of the book. In May 2016, Shaanxi People's Fine Arts Publishing House published two collections of Fan Zeng and Zhang Zongbiao, masters of national art. And the title of the book was inscribed by Zhang Zongbiao.
（四）中国书协顾问欧阳中石赏评之一：
我和很多热爱书法艺术的朋友一样，是从张宗彪先生的书法作品认识他的，是他的作品吸引了我，久而久之，使我对他有了深刻的了解。
张宗彪有着深厚的书法理论基础，良好的汉字书写功底，广识博学的综合文化素质，刻苦认真的自学毅力与创新精神，优秀的艺术道德境界和艺术品格，这便使他的书法艺术有了灵气和生命力。
纵观他的书法作品使人感到新而不薄，就《宏图国韵》来说，华而不媚，成篇作品不失法度，少字作品不失大器，柔刚相济，雄秀并举，血肉丰满，结构天成。师古不泥，求新而不取宠。此乃“众多古人铸于心，予以笔，集百家之长融于他自己”。
他的书法肥而有骨，骨肉相济，活泼而灵动。那用笔的多变，章法的烂熟，上下的映带，左右的顾盼，错落起伏，跃然纸上。在那流动的线条中，方圆、疏密、大小长短、粗细、浓、淡、枯、湿多变灵活。大气磅礴如行云流水，真可谓标新立异、匠心独具，已有了自己独特的笔法和别具一格的艺术表现形式。他的艺术魅力不仅仅给人以艺术欣赏，而且给人以精神享受。他的作品，“柔中有刚、秀中见奇，乃笔爽爽而有神助。”我“赏罢张宗彪的书法，再理解书中内容，真有沐浴、更衣、焚香之后捧读线装书之感。线香、墨香、字香、文香四香皆溢，鼻舒、眼悦、心旷、神怡四享俱佳。”写出了读者的真情实感。
他并没有骄傲，他认为书法的最高境界是写心、写思想、写感情。张宗彪先生的书法已达到了这一境界。他把传统的书法技巧有机地同现代书法相结合，用抽象的奇妙书法技巧大胆地创新，其丰富的墨色变化妙不可言，字一笔书就，一气呵成，俨然蛟龙戏水，巨龙游天，把写意画的用笔手法融入字中，字中有画，画为字用，行笔错落起伏，气度非凡，使观者叫绝。写出了他对笔墨人生的感悟。对于张宗彪先生来说，书法是他一生的热爱和追求，也是因为这份执着，他的人生比平常多了几份坎坷，也多了几份精彩。
万般皆下品，唯有读书高，书法家张宗彪，他以外若飞仙，飘逸洒脱，内似硬汉，刚筋铁骨，一笔一划写出恒久的人格魅力。他甘于寂寞，以天生的素质对书法这种艺术的醉梦般的钟情使自己一步一步地走向了书法艺术的殿堂。（2014年7月16日于北京家中）
(4) Ouyang Zhongshi, one of the consultants of the Chinese Book Association, appreciates:
Like many friends who love calligraphy, I know Mr. Zhang Zongbiao from his calligraphy works. His works attract me. Over time, I have a profound understanding of him.
Zhang Zongbiao has a profound theoretical basis of calligraphy, good writing skills of Chinese characters, comprehensive cultural quality of broad knowledge, diligent and conscientious self-study perseverance and innovation spirit, excellent artistic moral realm and artistic character, which makes his calligraphy art have vitality and vitality.
Throughout his calligraphy works, people feel new but not thin. In the case of Hongtuo Guoyun, the whole work is not flattering, the whole work is not flattering, the small-character works are not flattering, the combination of flexibility and rigidity, the combination of magnificence and beauty, flesh and blood, and the structure is natural. Teach the ancients without mud, seek new things without favor. This is "many ancients cast their hearts and pens, gathering the merits of a hundred schools into themselves".
His handwriting is fat and bony, flesh and bone, lively and agile. The variability of the pen, the maturity of the rules, the reflections from top to bottom, the expectations from left to right, the ups and downs, and the leaps and downs on the paper. In that flowing line, the square circle, density, size, length, thickness, thick, light, dry, humid and flexible. The magnificence of the atmosphere, such as the flow of clouds and water, can be said to be innovative, ingenious, has its own unique brushwork and unique artistic expression. His artistic charm not only gives people artistic appreciation, but also gives people spiritual enjoyment. His works are "strong in softness, strange in beauty, refreshing in brushwork and helpful in god". I "appreciate Zhang Zongbiao's calligraphy, and then understand the contents of the book. It really feels like reading a book with thread after bathing, changing clothes and burning incense. The fragrance of thread, ink, character and literature are all overflowing. The nose is comfortable, the eyes are pleasant, the heart is open and the spirit is pleasant. Write out the reader's true feelings.
He is not proud. He believes that the highest realm of calligraphy is to write heart, thoughts and feelings. Mr. Zhang Zongbiao's calligraphy has reached this level. He organically combines traditional calligraphy skills with modern calligraphy and boldly innovates with abstract and wonderful calligraphy skills. His rich ink color changes are incredible. Every word is written in one stroke, and he can play with dragons and swim with giant dragons. He integrates freehand brushwork techniques into the characters. Painting is used in the characters, and the lines and strokes fluctuate and fluctuate in different ways, so that the viewers are amazed. Write out his understanding of the life of pen and ink. For Mr. Zhang Zongbiao, calligraphy is his lifelong love and pursuit, but also because of this persistence, his life than usual a few more frustrations, but also a few more wonderful.
Everything is inferior, only high reading, calligrapher Zhang Zongbiao, he is outside if Feixian, elegant and free, like a tough man, rigid bone, stroke by stroke to write a lasting personality charm. He was willing to be lonely, and with his innate quality, he was drunk and dreamlike in the art of calligraphy, making himself step by step into the palace of the art of calligraphy. (Beijing Home on July 16, 2014)
中国书协顾问欧阳中石赏评之二：
《中国梦》《峰》这两幅字写的好，艺术性很高。纵观当今书画艺术界，书法、绘画、数以万千，能吸引人眼球的不多。多数作品辗转模仿，布局雷同，总给人一种千人一面之感觉，张宗彪先生的作品可令人眼前一亮，就是在于他的大智藏锐，不随人作计，而是以“一叶落知天下秋”的艺术手法，让读者小中见大，拙中见巧。张宗彪先生虽然为人谦逊低调，但是却领悟到了书法真谛。
字里行间看得出张先生在对艺术的追求中，没有什么奢望，只想为这绚丽的世界添上淡淡的一笔，成功与否无怨无悔，只想用艺术去书写祖国的山河之美，去表现丰富多彩的生活，他觉得这才是一个书法家的责任。
相信张宗彪先生在自己的艺术道路上会越走越远，远走越高。
欧阳中石第二次于2016年5月又对张宗彪书法特征做出评价。（2016年6月3日）
注：欧阳中石与张宗彪2013年7月由《文化艺术出版社》出版了《华艺精品两大家》。2015年8月由《中国文联出版社》出版了《传承》二人集。且由张宗彪题写书名。2016年5月由《中国旅游出版社》出版了《中国旅游书画》欧阳中石.张宗彪二人集，且张宗彪题写书名。
Ouyang Zhongshi, Consultant of China Book Association, Appreciation II:
The Chinese Dream and the Peak are well written and highly artistic. Throughout today's art circles, calligraphy, painting, tens of thousands of people can not attract much attention. Most of the works are imitated and arranged in the same way, which always gives people a sense of one-sidedness. Mr. Zhang Zongbiao's works can make people see a bright future. That is to say, his great wisdom is hidden, and he does not plan according to people, but with the artistic technique of "knowing the autumn through the fall of a leaf", so that readers can see the big in the small and see the smart in the clumsy. Although Mr. Zhang Zongbiao was modest and low-key, he realized the essence of calligraphy.
Between the lines, it can be seen that Mr. Zhang has no extravagant expectations in his pursuit of art. He only wants to add a touch to the glorious world. Whether he succeeds or not, he has no regrets and no regrets. He only wants to use art to write the beauty of the motherland's mountains and rivers and to express his colorful life. He feels that this is the responsibility of a calligrapher.
I believe Mr. Zhang Zongbiao will go farther and farther on his own artistic road.
Ouyang Zhongshi evaluated Zhang Zongbiao's calligraphic characteristics for the second time in May 2016. (3 June 2016)
Note: Ouyang Zhongshi and Zhang Zongbiao published two masters of fine art by Culture and Art Publishing House in July 2013. In August 2015, two collections of "Inheritance" were published by the Chinese Federation Publishing House. The title of the book was inscribed by Zhang Zongbiao. In May 2016, Ouyang Zhongshi Zhang Zongbiao and Zhang Zongbiao, two collections of Chinese Tourist Painting and Calligraphy, were published by China Tourism Publishing House, and Zhang Zongbiao wrote the title of the book.
五、中国书协顾问权希军赏评：
从运笔、用墨、布局、章法等来看，其作品的布局严谨而不呆板，灵动而不杂乱，犹如水落石出，涤静浮沉，秀色自现，风骨独标，承传统于字里行间，出新意与法度之外。真正做到思想性、艺术性、观赏性的统一，德艺双馨，已具有名家风范且能为其他书家创作提升提供了可凭借鉴的有益启示。（2014年6月25日于北京家中）
注：权希军与张宗彪2014年7月由《文化艺术出版社》出版了《艺术典范》二人集。
5. Appreciation of Quan Xijun, Consultant of the Chinese Book Association:
From the point of view of pen handling, ink use, layout and rules, the layout of his works is rigorous and not rigid, flexible and not disorderly, just like water falling into stone, quiet and ups and downs, beautiful and self-appearing, unique style and bones, inheriting the tradition between lines, innovative ideas and methods. Really achieve the unity of ideological, artistic and ornamental, virtuous and artistic, has become a well-known style and can provide useful inspiration for other writers to improve their creation. (Beijing Home on June 25, 2014)
Note: Quan Xijun and Zhang Zongbiao published their two collections of "Art Model" by the Culture and Art Publishing House in July 2014.
六、中国书协顾问李铎赏评：
其作品以凝练灵动的笔墨，描述出博大精深的内涵，凸现了他对生活深入的观察和对事物本质的深刻的把握，可谓笔笔有来历，字字出意境。（2014年8月20日于北京）
注：李铎同张宗彪2014年10月由《中国文联出版社》出版了《书画集缘名家经典》二人集。
6. Appreciation by Li Duo, Consultant of the Chinese Book Association:
His works depict broad and profound connotations with concise and clever pen and ink, highlight his in-depth observation of life and his profound grasp of the essence of things. It can be said that his pen and pen have their origins and words are out of artistic conception. (Beijing, 20 August 2014)
Note: In October 2014, Li Duo and Zhang Zongbiao published two anthologies of Classics of Calligraphy and Painting by the Chinese Federation Press.
七、中国书协主席苏士澍赏评之一：
纵观当今中国哦书画艺术界，书法，绘画，数以万千，能吸引人眼球的不多。多数作品辗转模仿，布局雷同，总给人一种千人一面之感觉，张宗彪先生的作品可令人眼前一亮，就是在于他的大智藏锐，不随人作计，而是以“一叶落知天下秋”的艺术手法，让读者小中见大，拙中见巧。张宗彪先生虽然为人谦逊低调，但是却领悟到了书法真谛。
字里行间看得出张先生在对艺术的追求中，没有什么奢望，只想为这绚丽的世界添上淡淡的一笔，成功与否无怨无悔，只想用艺术去书写祖国的山河之美，去表现丰富多彩的生活，他觉得这才是一个书法家的责任。
相信张宗彪先生在自己的艺术道路上会越走越远，越走越高。
注： 苏士澍与张宗彪2016年1月由《中国文联出版社》出版了《艺海同舟》二人集。且苏士澍题写了书名。
7. One of Su Shishu's comments on the chairman of the Chinese Book Association:
Throughout today's Chinese painting and calligraphy art circles, calligraphy, painting, tens of thousands, can not attract much attention. Most of the works are imitated and arranged in the same way, which always gives people a sense of one-sidedness. Mr. Zhang Zongbiao's works can make people see a bright future. That is to say, his great wisdom is hidden, and he does not plan according to people, but with the artistic technique of "knowing the autumn through the fall of a leaf", so that readers can see the big in the small and see the smart in the clumsy. Although Mr. Zhang Zongbiao was modest and low-key, he realized the essence of calligraphy.
Between the lines, it can be seen that Mr. Zhang has no extravagant expectations in his pursuit of art. He only wants to add a touch to the glorious world. Whether he succeeds or not, he has no regrets and no regrets. He only wants to use art to write the beauty of the motherland's mountains and rivers and to express his colorful life. He feels that this is the responsibility of a calligrapher.
It is believed that Mr. Zhang Zongbiao will go further and higher on his own artistic road.
Note: In January 2016, Su Shishu and Zhang Zongbiao published two collections of "Art Sea and Boat together" by the Chinese Federation Press. And Su Shishu wrote the title of the book.
中国书协主席苏士澍赏评之二：
张先生的书法作品雍容大气、气势磅礴、意蕴悠长，显示出其娴熟的艺术功底，具备较高的艺术品位。他的字雅清秀、刚柔并济，用笔沉着稳健、结构严谨不苟、气度风腴开朗、线条圆润凝练，把沉稳、精妙、流畅融于一体，具有神采飞扬之美。他在传统书法的基础上进行创新，在法度的基础上追求奇巧，在书写技艺，篇章布局、形质神采等都是值得称道的！其作品劲健雄逸、不失古意，观者无不称赞。
Su Shishu, Chairman of the Chinese Book Association, Appreciation II:
Mr. Zhang's calligraphy works are graceful, magnificent and meaningful, showing his skilled artistic skills and high artistic taste. His words are elegant and elegant, rigid and flexible, and his pen is calm and steady, rigorous and meticulous in structure, pleasant in demeanor, rounded and concise in line. He combines calm, delicate and smooth into one, and has the beauty of elegance. He innovated on the basis of traditional calligraphy, pursued ingenuity on the basis of law, and was commendable for his writing skills, textual layout, physical appearance, etc. His works are vigorous, heroic and elegant, without losing the ancient meaning, which is praised by all the viewers.
八、中国美协主席刘大为赏之一：
张先生作品以气韵求其作、以意求生气、笔势巧妙，聚天地之灵气，创艺术之奇迹，真正做到了人与大自然的融合、主观与客观的统一，意与象的统一。
张先生之作品具有强烈的视觉冲击力，让观者不由的驻足深思，耐人寻味。细细品之，其笔精墨妙笔精墨妙、沉着痛快、力透纸背、气韵流畅、微入妙、笔 墨饱、平和畅达、一气呵成。
张先生业已逐步形成自己独特的艺术风格，频有大家之风范，堪为书坛之师表！（2016年3月于北京）
8. Liu Dawei, Chairman of the Chinese Association of Arts, is one of the most rewarding.
Mr. Zhang's works seek their works with charm, vitality and ingenuity, gather the spirit of heaven and earth, create the miracle of art, and truly achieve the integration of man and nature, the unity of subjective and objective, and the unity of intention and image.
Mr. Zhang's works have a strong visual impact, which makes the viewers think deeply and intriguing. Fine and delicate, its fine and delicate ink, calm and pleasant, powerful paper back, smooth, delicate, full of ink, calm and smooth, one breath.
Mr. Zhang has gradually formed his own unique artistic style, often with everyone's demeanor, can be a teacher in the literary world! (Beijing, March 2016)
中国美协主席刘大为赏评之二：
张宗彪的书法：结体精严，笔画清朗刚健，布势轻重有别，主宾相济，风神俊秀且雅俗共赏 ，具有鲜明的个性特点。在运笔用墨，凝神静气，挥毫劲健，落笔胸有成竹、行笔轻车熟路、收笔斩钉截鉄；笔墨尽显于法度之中，章法严谨其作品充满了生命的气息。（2016年5月21日于北京）
注：刘大为与张宗彪2012年6月由《中国华侨出版社》出版了《当代艺坛传奇人物》二人集，且由张宗彪题写了书名。
Liu Dawei, Chairman of the Chinese Association of Arts, appreciates the following:
Zhang Zongbiao's calligraphy: the body is fine, the strokes are clear and vigorous, the cloth is different in weight, the host and the guest are in harmony, the style is handsome and elegant and popular, and it has distinct personality characteristics. In the use of ink in the pen, calm, vigorous and vigorous, the pen chest has a bamboo, the pen light car familiar with the road, close the pen to cut the nail; the pen and ink are fully manifested in the legal system, the rigorous rules of his works are full of the breath of life. (Beijing, 21 May 2016)
Note: In June 2012, Liu Dawei and Zhang Zongbiao published a collection of "Legends of Contemporary Art" by China Overseas Chinese Publishing House, and Zhang Zongbiao wrote the title of the book.
